archives
1 & 2: Installation views of 9 shades of Whiteley
9 shades of Whiteley: regional tour
Touring schedule:
Gold Coast City Art Gallery: 12 July – 7 September 2008
Lismore Regional Gallery: 13 September – 15 November 2008
New England Regional Art Museum (Armidale): 22 November 2008 – 8 February 2009
Newcastle Region Art Gallery: 14 February – 26 April 2009
Bathurst Regional Art Gallery: 1 May – 14 June 2009
Mornington Peninsula Regional Gallery: 2 July – 23 August 2009
This is the first time a Brett Whiteley exhibition has toured to regional Australia since the Brett Whiteley Studio opened in 1995. The exhibition includes 20 Whiteley works and traces the artist’s life and career from his earliest painting Self portrait at sixteen 1955 to just a few months before his death with Port Douglas, far North Queensland 1992.
Entitled 9 Shades of Whiteley, the exhibition will travel to six regional centres across three states (NSW, VIC and QLD) over 18 months. The "nine shades" include Whiteley’s early works, abstracts, Christie & London zoo series, Lavender Bay, portraits, birds & landscapes, sculptures, late works and the Studio. The final section includes photographs of the Brett Whiteley Studio, Whiteley’s last home and studio from 1985 to 1992 before it became a public gallery.
The Italian Travelling Scholarship, awarded by Sir Russell Drysdale, was the first major prize that Whiteley won when he was just 20 years old. Two of the paintings that Whiteley submitted, Sofala 1958 and July painting circa 1959, are included in this exhibition. The scholarship enabled Whiteley to travel to Europe and experience art firsthand as opposed to mere reproductions. His extended period overseas is represented with several works including Untitled 1961, Chimpanzee 1965 and Small Christie painting no.2 1965.
Inspired by Matisse and his superb The Red Studio 1911, Whiteley produced Self portrait in the studio 1976, which went on to win the Archibald Prize. This was preceded by The balcony 2 1975, where he flattened the picture plane and saturated it with ultramarine blue, shifting the horizon line beyond the edge. This allowed the viewer to experience, with a kind of symphonic expansion, the natural beauty of Sydney harbour, his home at the time. Both works are included.
The Art Gallery of New South Wales manages the Brett Whiteley Studio and organised the exhibition together with a comprehensive education program. The program includes a two-day training course at the Gold Coast Regional Art Gallery in July, which is to be presented by the Art Gallery of New South Wales’ education staff. An online education kit for regional educators, both museum staff and teachers, will also be available.
This exhibition is supported by Visions of Australia, an Australian Government program supporting touring exhibitions by providing funding assistance for the development and touring of Australian cultural material across Australia.
